Tag Archives: anya martin

2017 Last Minute Xmas Coupon

It’s been a busy year. So busy that it’s quite possible you just realized (like us) that the holiday season is in full swing, and that you’ve got less than two weeks to get your Xmas shopping done. So, we decided to run a last minute year-end coupon. Just use coupon code word2017, and save 30% on all Word Horde books (excluding Scratch-and-Dent titles). Here’s where to order:

http://www.wordhorde.com

This year, we published five books: The Raven’s Table, by Christine Morgan; Beneath, by Kristi DeMeester; An Augmented Fourth, by Tony McMillen, She Said Destroy, by Nadia Bulkin; and Tales from a Talking Board, edited by Ross E. Lockhart, featuring fourteen all-new stories of the strange and supernatural by Matthew M. Bartlett, Nadia Bulkin, Nathan Carson, Kristi DeMeester, Orrin Grey, Scott R Jones, David James Keaton, Anya Martin, J. M. McDermott, S.P. Miskowski, Amber-Rose Reed, Tiffany Scandal, David Templeton, and Wendy N. Wagner.

We also picked up a few awards, with Word Horde selected as Publisher of the Year 2016, Livia Llewellyn’s Furnace receiving Short Story Collection of the Year 2016, and John Langan’s The Fisherman landing Novel of the Year 2016 in the This Is Horror Awards, and John Langan’s The Fisherman capturing the Bram Stoker Award for Superior Achievement in a Novel. Don’t forget to nominate your favorite 2017 Word Horde titles in your favorite genre awards!

Here’s just some of the critical acclaim our 2017 titles have received (so far):

“These works have the sure, solid feel of a talented author deeply engaged with her source material and genre. They’re an excellent read for those who enjoy myths and legends of all kinds.” —Publishers Weekly (starred review) on The Raven’s Table

The Raven’s Table is a must-have for anyone with an interest in stories based on Nordic mythology and lore.” —GreyDogTales on The Raven’s Table

“This novel is going to propel DeMeester onto that list of authors you’ll want to follow.” —John Boden, Ginger Nuts of Horror on Beneath

“…one of the most upsetting and horrifying tomes of dark fiction in recent memory.” —This Is Horror on Beneath

“Tony McMillen’s An Augmented Fourth (2017) is heavy metal rock and roll horror at its wailing-guitar best. Set in 1980, the point of transition from heavy metal to punk, An Augmented Fourth blends inter-dimensional eldritch horror, David-Cronenberg-movie grotesquerie, and psychedelia in a thrash-metal twenty-minute-guitar-solo of a story.” —Fantasy Literature

“This is a wildly entertaining novel that is both a hilarious deconstruction and a tender love letter to rock and roll. McMillen has a knack for dialogue and that helps the action and the story move forward at breackneck speed. […] If you think you’d dig watching a psychedelia-infused version of The Thing while blasting awesome tunes and having a great acid trip, then you need to pick this one up.” —LitReactor on An Augmented Fourth

“Weird fiction has been stuck in the era of new-fangled radio sets and fifteen-cent pulp magazines for ninety years. Finally, Nadia Bulkin has come to drag us kicking and screaming into the horrors of The Endless Now with a collection of hip, ultracontemporary, politically astute, and chilling stories.” —Nick Mamatas, author of I Am Providence on She Said Destroy

“Bulkin delivers a dose of delicious darkness with her debut collection.” —World Fantasy Award-winning editor Silvia Moreno-Garcia on She Said Destroy

“Striking debut collection” —The New York Times on She Said Destroy

Tales from a Talking Board (Word Horde) is a brilliant collection of 14 short stories by some of today’s greatest authors, centered around the theme of the Ouija board, in its various forms and incarnations […] It’s an eerie compilation of tales that belongs in the personal libraries and/or Kindles of everyone who loves the macabre.” —Douglas Cobb, What’s New in Book Reviews

Tales from a Talking Board is a seasonal treat meant for crackling fires in the fireplace and dark spooky evenings. Enjoy.” —Marion Deeds, Fantasy Literature

“A blast to read.” —TheShadesofOrange on Tales from a Talking Board

Remember: Use coupon code word2017, and save 30% on all Word Horde books (excluding Scratch-and-Dent titles). Here’s where to order:

http://www.wordhorde.com

Awards Eligibility

As we come to the end of another year, it is traditional to look back through the last 365 days and take stock of one’s accomplishments. In 2017, Word Horde published five books: The Raven’s Table, by Christine Morgan; Beneath, by Kristi DeMeester; An Augmented Fourth, by Tony McMillen, She Said Destroy, by Nadia Bulkin; and Tales from a Talking Board, edited by Ross E. Lockhart.

If you read and enjoyed any (or all) of these Word Horde books in 2017, we ask that you consider nominating those books in their respective categories in the Hugos, Locus Awards, Nebulas, Bram Stoker Awards, This Is Horror Awards, or similar awards. Likewise, the Novellas, Novelettes, and Short Stories we published this year that are eligible for your awards consideration. Plus, we’ve included a list of Related Works you may have otherwise missed. Thanks for your consideration, it means the world to us!

Best Collection:
The Raven’s Table, by Christine Morgan
She Said Destroy, by Nadia Bulkin

Best Novel:
Beneath, by Kristi DeMeester
An Augmented Fourth, by Tony McMillen

Best First Novel:
Beneath, by Kristi DeMeester

Best Anthology:
Tales from a Talking Board, edited by Ross E. Lockhart

Best Short Story:
“Deep Into the Skin” by Matthew M. Bartlett (5215 words, Tales from a Talking Board)
“May You Live In Interesting Times” by Nadia Bulkin (5431 words, Tales from a Talking Board)
“When the Evil Days Come Not” by Nathan Carson (5229 words, Tales from a Talking Board)
“YesNoGoodbye” by Kristi DeMeester (3013 words, Tales from a Talking Board)
“Harupscate or Scry” by Orrin Grey (5300 words, Tales from a Talking Board)
“Worse than Demons” by Scott R Jones (4170 words, Tales from a Talking Board)
“Spin the Throttle” by David James Keaton (4900 words, Tales from a Talking Board)
“Weegee Weegee, Tell Me Do” by Anya Martin (6664 words, Tales from a Talking Board)
“The Devil and the Bugle Boys” by J. M. McDermott (3784 words, Tales from a Talking Board)
“Pins” by S.P. Miskowski (2618 words, Tales from a Talking Board)
“The Empress and the Three of Swords” by Amber-Rose Reed (2200 words, Tales from a Talking Board)
“Grief” by Tiffany Scandal (3259 words, Tales from a Talking Board)
“Questions and Answers” by David Templeton (5000 words, Tales from a Talking Board)
“The Burnt Sugar Stench” by Wendy N. Wagner (4100 words, Tales from a Talking Board)
“The Seven Ravens” by Christine Morgan (5010 words, The Raven’s Table)

Best Novelette
“Brynja’s Beacon” by Christine Morgan (9600 words, The Raven’s Table)

Best Novella
“No Gods, No Masters” by Nadia Bulkin (11900 words, She Said Destroy)

Best Poem
“The Shield-Wall” by Christine Morgan (480 words, The Raven’s Table)
“As We Drown and Die” by Christine Morgan (2070 words, The Raven’s Table)

Best Publisher:
Word Horde

Best Editor, Short Form:
Ross E. Lockhart

Best Editor, Long Form:
Ross E. Lockhart

Best Original Cover Art:
An Augmented Fourth, Alan M. Clark
Tales from a Talking Board, Yves Tourigny

Related Works:
Music from the Novel An Augmented Fourth: “Beyond This Sleepless Dream”/”Frivilous Black” by Frivilous Black/Tony McMillen

Cover Reveal/Preorder Tales from a Talking Board

Today we reveal the cover to our newest anthology (out October 24), Tales from a Talking Board, in conjunction with this profile on Word Horde and publisher/editor Ross E. Lockhart in the Petaluma Argus-Courier. Check ’em out and order your copy today!

Tales from a Talking Board edited by Ross E. Lockhart

Can we speak with the spirits of the dead? Is it possible to know the future? Are our dreams harbingers of things to come? Do auspicious omens and cautionary portents effect our lives?

Edited by Ross E. Lockhart, Tales from a Talking Board examines these questions–and more–with tales of auguries, divination, and fortune telling, through devices like Ouija boards, tarot cards, and stranger things.

So dim the lights, place your hands upon the planchette, and ask the spirits to guide you as we present fourteen stories of the strange and supernatural by Matthew M. Bartlett, Nadia Bulkin, Nathan Carson, Kristi DeMeester, Orrin Grey, Scott R. Jones, David James Keaton, Anya Martin, J. M. McDermott, S. P. Miskowski, Amber-Rose Reed, Tiffany Scandal, David Templeton, and Wendy N. Wagner.

Edited by Ross E. Lockhart
Cover Design by Yves Tourigny

Order your copy today!

Eternal Frankenstein Ebook Now Just $6.99

During a haunted summer 201 years ago, author Mary Shelley was inspired–in a waking dream–to write Frankenstein; or, The Modern Prometheus, a novel of galvanism, philosophy, and the re-animated dead that would change literature forever, giving birth to what we now call science fiction. As Mary Shelley later wrote, “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world.”

In celebration of this momentous dream, we have reduced the ebook price for our anthology Eternal Frankenstein, a tribute to Mary Shelley, her Monster, and their entwined legacy, to just $6.99. Eternal Frankenstein features sixteen resurrecting tales of terror and wonder by Siobhan Carroll, Nathan Carson, Autumn Christian, Rios de la Luz, Kristi DeMeester, G. D. Falksen, Orrin Grey, Michael Griffin, Scott R. Jones, Anya Martin, Edward Morris, Amber-Rose Reed, Betty Rocksteady, Tiffany Scandal, David Templeton, and Damien Angelica Walters.

Order Eternal Frankenstein for your Kindle, Kobo, or Nook, or purchase it in your choice of formats from Weightless Books today!

Cover by Matthew Revert.

Launch Party for Eternal Frankenstein

This Friday night, October 28 at 7 pm, join us at Copperfield’s Books in Petaluma, CA as we launch Eternal Frankenstein. There will be tricks, treats, and author readings by Amber-Rose Reed, Anya Martin, David Templeton, and Ross E. Lockhart.

frankiesinatra

Two hundred years ago, a young woman staying in a chalet in Switzerland, after an evening of ghost stories shared with friends and lovers, had a frightening dream. That dream became the seed that inspired Mary Shelley to write Frankenstein; or, The Modern Prometheus, a tale of galvanism, philosophy, and the re-animated dead. Today, Frankenstein has become a modern myth without rival, influencing countless works of fiction, music, and film. We all know Frankenstein. But how much do we really know about Frankenstein?

Word Horde is proud to publish Eternal Frankenstein, an anthology edited by Ross E. Lockhart, paying tribute to Mary Shelley, her Monster, and their entwined legacy.

Featuring sixteen resurrecting tales of terror and wonder by:

Siobhan Carroll
Nathan Carson
Autumn Christian
Rios de la Luz
Kristi DeMeester
G. D. Falksen
Orrin Grey
Michael Griffin
Scott R. Jones
Anya Martin
Edward Morris
Amber-Rose Reed
Betty Rocksteady
Tiffany Scandal
David Templeton
Damien Angelica Walters

Eternal Frankenstein edited by Ross E. Lockhart

RSVP and more details here.

Now Available: ETERNAL FRANKENSTEIN!

It’s alive! ALIVE!

Our latest anthology, Eternal Frankenstein, is now available.

Eternal Frankenstein edited by Ross E. Lockhart

Two hundred years ago, a young woman staying in a chalet in Switzerland, after an evening of ghost stories shared with friends and lovers, had a frightening dream. That dream became the seed that inspired Mary Shelley to write Frankenstein; or, The Modern Prometheus, a tale of galvanism, philosophy, and the re-animated dead. Today, Frankenstein has become a modern myth without rival, influencing countless works of fiction, music, and film. We all know Frankenstein. But how much do we really know about Frankenstein?

Word Horde is proud to publish Eternal Frankenstein, an anthology edited by Ross E. Lockhart, paying tribute to Mary Shelley, her Monster, and their entwined legacy.

Featuring sixteen resurrecting tales of terror and wonder by:

Siobhan Carroll
Nathan Carson
Autumn Christian
Rios de la Luz
Kristi DeMeester
G. D. Falksen
Orrin Grey
Michael Griffin
Scott R. Jones
Anya Martin
Edward Morris
Amber-Rose Reed
Betty Rocksteady
Tiffany Scandal
David Templeton
Damien Angelica Walters

Edited by Ross E. Lockhart
Cover Design by Matthew Revert

Giallo July

There’s something colorful in the air, things seem super-saturated, and a synthesizer soundtrack just cut in, so we are declaring this month to be Giallo July. To celebrate, we’ve dropped the price of the Giallo Fantastique ebook to just $2.99 (Kindle, Kobo, Nook) for the duration of the month. What’s your favorite shade of horror?

GialloJuly

An anthology of original strange stories at the intersection of crime, terror, and supernatural fiction. Inspired by and drawing from the highly stylized cinematic thrillers of Argento, Bava, and Fulci; American noir and crime fiction; and the grim fantasies of Edgar Allan Poe, Guy de Maupassant, and Jean Ray, Giallo Fantastique seeks to unnerve readers through virtuoso storytelling and startlingly colorful imagery.

Table of Contents:

Introduction – Ross E. Lockhart
Minerva – Michael Kazepis
In the Flat Light – Adam Cesare
Terror in the House of Broken Belles – Nikki Guerlain
The Strange Vice of ZLA-313 – MP Johnson
Sensoria – Anya Martin
The Red Church – Orrin Grey
Balch Creek – Cameron Pierce
Hello, Handsome – Garrett Cook (audio at the link!)
We Can Only Become Monsters – Ennis Drake
The Threshold of Waking Light – E. Catherine Tobler
The Communion of Saints – John Langan
Exit Strategies – Brian Keene

“Lockhart translates giallo fantastique as weird crime, and each story, while very different in style and tone, melds crime and supernatural horror with panache and verve. […] The stories’ conclusions are never definitive, leaving the reader with a delicious sense of lingering unease.” —Publishers Weekly

“A lavish, sumptuous tapestry of luxurious surrealism and strangeness.” –Christine Morgan, The Horror Fiction Review

“…ultimately satisfying, with a few tales that skirt tantalizingly close to brilliance.” –Mer Whinery, Muzzleland Press

Cover Reveal: Eternal Frankenstein

Two hundred years ago, a young woman staying in a chalet in Switzerland, after an evening of ghost stories shared with friends and lovers, had a frightening dream. That dream became the seed that inspired Mary Shelley to write Frankenstein; or, The Modern Prometheus, a tale of galvanism, philosophy, and the re-animated dead. Today, Frankenstein has become a modern myth without rival, influencing countless works of fiction, music, and film. We all know Frankenstein. But how much do we really know about Frankenstein?

This October, Word Horde will be publishing Eternal Frankenstein, an anthology edited by Ross E. Lockhart, paying tribute to Mary, her Monster, and exploring their entwined legacy.

Today, on the bicentennial anniversary of Mary Shelley’s dream, we reveal the cover to Eternal Frankenstein (Cover Design by Matthew Revert):

Eternal Frankenstein edited by Ross E. Lockhart

Table of Contents:

Amber-Rose Reed – Torso Heart Head
Siobhan Carroll – Thermidor
Autumn Christian – Sewn Into Her Fingers
Rios de la Luz – Orchids by the Sea
Edward Morris – Frankenstein Triptych
Michael Griffin – The Human Alchemy
Betty Rocksteady – Postpartum
Scott R. Jones – Living
Tiffany Scandal – They Call Me Monster
Damien Angelica Walters – Sugar and Spice and Everything Nice
Orrin Grey – Baron von Werewolf Presents: Frankenstein Against the Phantom Planet
Nathan Carson – Wither on the Vine, or Strickfadden’s Monster
Anya Martin – The Un-Bride, or No Gods and Marxists
G. D. Falksen – The New Soviet Man
Kristi DeMeester – The Beautiful Thing We Will Become
David Templeton – Mary Shelley’s Body

Preorder Eternal Frankenstein today! Pub Date: October 9, 2016. And for more about Eternal Frankenstein and the cinematic history of Frankenstein, check out this Pacific Sun interview with editor Ross E. Lockhart.

An Interview with Anya Martin

Word Horde’s resident social media maniac, Sean M. Thompson, recently chatted with one of our favorite authors, Anya Martin, whose work has appeared in Giallo Fantastique and Cthulhu Fhtagn! Here’s what Anya had to say…

What do you think the role of genre is in fiction?

That’s a tough one in that like most writers I both hate being placed in a genre box, and yet I am a fierce defender of the claim that spec-lit in all its forms (SF/F/H, etc.) has every bit of legitimacy as literary fiction. I tend to prefer “mode” to “genre” and see the different forms of spec-lit as freeing me to approach realistic topics more, rather than less directly through a fantastic lens. For example in “The Prince of Lyghes,” my story in Cthulhu Fhtagn!, I consciously tackled the destructive impact of alcoholism on a relationship through the mode of Weird horror. The story begins monotonously because the daily life in such a relationship tends towards a constant, creeping dread, but the mode of the Weird allows me to push further into the emotional horror of that daily Hell by giving it a physical manifestation.

I’ll add that I never set out to be a Weird fiction writer per se, but since the recent ascent of the Weird, I have had an easier time selling my work. Before that, I was often told that it didn’t fit. It’d be nice to dream of a day when all books are shelved together and genres don’t matter, but genre classification is also a marketing reality that writers have to live with if they want to be published. Right now, I am fortunate in that editors and publishers seem to be more open to the type of whatever genre I write, whether Weird, horror, dark fantasy, or magic realism. I haven’t written a story I consider explicitly science fiction since “Courage of the Lion Tamer” (Daybreak, 2009), but I grew up loving science fiction and “Sensoria” in Giallo Fantastique actually started as a science fiction story. But that’s another story.

Cthulhu Fhtagn! edited by Ross E. Lockhart

Your story from Giallo Fantastique, “Sensoria,” contained a drug primarily taken at a rock and roll show. What kind of influence does music have on your writing, and have you been to a lot of concerts in your life?

I listen to music constantly, though I stick to instrumental when I am actually writing. A lot of experimental jazz, funk, Krautrock recently filling in gaps because I was such a punk rock girl. My punk/post-punk roots are still on my daily playlist–Patti Smith, the Velvet Underground, Lou Reed, John Cale, Bowie, Eno, Iggy, Ramones, Robyn Hitchcock, Pere Ubu, Wire, The Cramps, to name just a few. And yes, I have been to a fair amount of concerts from local bands to international acts, though not so many stadium-sized shows as I tend to prefer more obscure music. I was also a college radio DJ and music director. I named my show Dangerous Visions.

Music is more of a subliminal than a direct influence in most of my work, though my characters are often listening to music. However, as chance would have it through anthology invitations, I had two stories come out this year in which rock music was integral–”Sensoria” and “Resonator Superstar!” in Scott R. Jones’ Resonator anthology which explores a possible occult side to Andy Warhol’s Exploding Plastic Inevitable light/film shows accompanying early Velvet Underground gigs. The latter took a considerable amount of research and came out of attending a re-creation of that experience by a local avant garde film group in Atlanta. I actually wrote the first draft of what would become “Sensoria” around 1990, but its final form was heavily influenced by Goblin and Fabio Frizzi concerts–the latter in a London church on Halloween in 2014. So, OK, yes, my concert experiences, I guess, do bleed directly into my writing. I’m not working on any explicitly music scene stories right now, or wait, I just remembered the novel I am probably writing as my first might have something to do with a dead rock star.

Giallo Fantastique edited by Ross E. Lockhart

Do you have any writing rituals?

Well, as aforementioned, I do listen to music either before and/or while writing. Otherwise they fluctuate. In the winter, I’ll often drink green or camomile tea depending on whether I need a caffeine lift. I do coffee in the morning but that’s my nonfiction journalism day job time. For “Sensoria,” “Resonator Superstar!” and other stories that I need to tap into a more intense trance state especially as I get near the climax, I have drunk Kava. Some stories come together better in bed with my laptop with scented candles lit, and others sitting at my computer desk–I’m not sure why other than needing a change of scenery. I do usually prefer writing alone rather than in a public place like a coffee shop.

Would you ever eat a bug?

I have eaten bugs! Dried seasoned grasshoppers and still not sure whether those were caterpillars in the soup in China. Also more recently at a natural history museum insect-tasting event, but I can’t remember what kind of insects they were now.

Have you ever written a novel?

I have started novels but have not finished one yet. One in particular keeps knocking around in my brain. It seems manageable in length, I haven’t read anything else like it and fortunately the concept seems saleable. I hope to pick it up again sometime soon, but not until after a novella and I finish up at least three more short stories for anthology invitations.

How do you deal with fear of failure?

I just try not to think about it and keep working. Get the story done and move on to the next one. My brain may be a little too good at compartmentalizing, which is something I may tackle in a future story. On the other hand, right now I also try to keep my fiction goals modest. Get a few more stories completed and sold, see how my work is received, and then hopefully someone will want to collect them. And in due time, hopefully this winter, novel.

Would you consider yourself a fast writer, or a slow writer, in terms of your output.

Haha! Both. I tend to write very rapidly once a story gets going and have been known to complete a story in a day to a week. But I’ll start other stories and there could be long gaps of time as the parts come together in my head. “Resonator Superstar!” and “Old Tsah-Hov” in Cassilda’s Song (edited by Joe Pulver, Chaosium) were both written in two weeks or less, but “The Prince of Lyghes” evolved over three years and even when I thought it was done, I made more changes after a beta reader hit upon something simple and missing that should have been obvious to me.

Thanks for taking part. Anything to plug?

You’re welcome. I do have two more works slated to come out this year–making it a total of six in 2015. My short story, “A Girl in Her Dog,” will be in Issue #2 of Xynobis from Dunhams Manor Press. And Dunhams Manor is also publishing a one-act Weird play called “Passage to the Dreamtime” in its chapbook series. It’ll be the first time a work of fiction by me will be published in a freestanding format, i.e. not in an anthology or magazine, so I’m pretty excited.

Now Available: Cthulhu Fhtagn!

Happy 125th Birthday, H. P. Lovecraft. To celebrate, we baked you an anthology. Featuring 19 weird tales inspired by H. P. Lovecraft by 20 of the best authors working in Weird Fiction today, Cthulhu Fhtagn! is sure to satisfy. But don’t just take our word for it. Check out Cthulhu Fhtagn! for yourself!

Cthulhu Fhtagn! edited by Ross E. Lockhart

In his house at R’lyeh, Cthulhu waits dreaming…

What are the dreams that monsters dream? When will the stars grow right? Where are the sunken temples in which the dreamers dwell? How will it all change when they come home?

Within these pages lie the answers, and more, in all-new stories by many of the brightest lights in dark fiction. Gathered together by Ross E. Lockhart, the editor who brought you The Book of Cthulhu, The Children of Old Leech, and Giallo Fantastique, Cthulhu Fhtagn! features nineteen weird tales inspired by H. P. Lovecraft.

Edited by Ross E. Lockhart
Cover Art by Adolfo Navarro
Cover Design by MMP

Table of Contents

Introduction: In His House at R’lyeh… – Ross E. Lockhart
The Lightning Splitter – Walter Greatshell
Dead Canyons – Ann K. Schwader
Delirium Sings at the Maelstrom Window – Michael Griffin
Into Ye Smoke-Wreath’d World of Dream – W. H. Pugmire
The Lurker In the Shadows – Nathan Carson
The Insectivore – Orrin Grey
The Body Shop – Richard Lee Byers
On a Kansas Plain – Michael J. Martinez
The Prince of Lyghes – Anya Martin
The Curious Death of Sir Arthur Turnbridge – G. D. Falksen
Aerkheim’s Horror – Christine Morgan
Return of the Prodigy – T.E. Grau
The Curse of the Old Ones – Molly Tanzer and Jesse Bullington
Love Will Save You – Cameron Pierce
Assemblage Point – Scott R. Jones
The Return of Sarnath – Gord Sellar
The Long Dark – Wendy N. Wagner
Green Revolution – Cody Goodfellow
Don’t Make Me Assume My Ultimate Form – Laird Barron

2015-09-03 266

Pie by Petaluma Pie Company.

Ask for Cthulhu Fhtagn! wherever books are sold.