An anthology of original strange stories at the intersection of crime, terror, and supernatural fiction. What's your favorite shade of yellow? Might it be... blood red? Look for Giallo Fantastique at better independent booksellers everywhere, and most online retailers. Signed copies are available direct from Word Horde.
An anthology of original strange stories at the intersection of crime, terror, and supernatural fiction. Inspired by and drawing from the highly stylized cinematic thrillers of Argento, Bava, and Fulci; American noir and crime fiction; and the grim fantasies of Edgar Allan Poe, Guy de Maupassant, and Jean Ray, Giallo Fantastique seeks to unnerve readers through virtuoso storytelling and startlingly colorful imagery.
What’s your favorite shade of Yellow?
Pub Date: May 15, 2015
Format: Trade Paperback, 240pp
Table of Contents
Introduction – Ross E. Lockhart
Minerva – Michael Kazepis
In the Flat Light – Adam Cesare
Terror in the House of Broken Belles – Nikki Guerlain
The Strange Vice of ZLA-313 – MP Johnson
Sensoria – Anya Martin
The Red Church – Orrin Grey
Balch Creek – Cameron Pierce
Hello, Handsome – Garrett Cook
We Can Only Become Monsters – Ennis Drake
The Threshold of Waking Light – E. Catherine Tobler
The Communion of Saints – John Langan
Exit Strategies – Brian Keene
About the Editor
ROSS E. LOCKHART is an author, anthologist, editor, and publisher. A lifelong fan of supernatural, fantastic, speculative, and weird fiction, Lockhart is a veteran of small-press publishing, having edited scores of well-regarded novels of horror, fantasy, and science fiction.
Lockhart edited the anthologies The Book of Cthulhu I and II, Tales of Jack the Ripper, and The Children of Old Leech: A Tribute to the Carnivorous Cosmos of Laird Barron (with Justin Steele). He is the author of Chick Bassist. Lockhart lives in an old church in Petaluma, California, with his wife Jennifer, hundreds of books, and Elinor Phantom, a Shih Tzu moonlighting as his editorial assistant.
“Lockhart translates giallo fantastique as weird crime, and each story, while very different in style and tone, melds crime and supernatural horror with panache and verve. […] The stories’ conclusions are never definitive, leaving the reader with a delicious sense of lingering unease.” —Publishers Weekly
“A lavish, sumptuous tapestry of luxurious surrealism and strangeness.” –Christine Morgan, The Horror Fiction Review
“…ultimately satisfying, with a few tales that skirt tantalizingly close to brilliance.” –Mer Whinery, Muzzleland Press