Tag Archives: short stories

Five Things I Learned Editing My First Anthology, by Amber Fallon

Five Things I Learned Editing My First Anthology
by Amber Fallon

Reblogged from http://amberfallon.net/writing/five-things-i-learned-editing-my-first-anthology/

I’ve done a few of these “Five Things…” posts for my day job, and they seem to be pretty popular, so I figured I’d give it a shot in the writing realm. (Oooh, I like the sound of that. Writing Realm. Nice.)

As you may have heard, my editorial debut, Fright into Flight, will be released by Word Horde on September 4th. I’m insanely proud of that book and the effort that went into putting it together. I spent untold hours reading, reviewing, researching, compiling, editing, and reaching out to authors, to say nothing of the mountain of slush I read through when we opened up to submissions.

Even though the window was brief, just two weeks total, we received over 100 submissions. That’s a LOT to go through!

We were extremely lucky with the quality of submissions we received. Only a minuscule percentage of the total didn’t follow the guidelines. For the most part, every story I read was good. Which made my first time as editor very challenging. It wasn’t a matter of choosing only the best stories, it was also a matter of choosing stories that would fit well with the rest of the book.

I’m not sure exactly what I had been expecting, but it wasn’t rereading the same two stories a dozen times, trying to choose which of them would best fit the book I was molding from other peoples’ words.

Fright Into Flight edited by Amber Fallon

The process was challenging. I believe I rose to meet the task, but in doing so, I learned a lot. Here are the five biggest lessons:

1: Breaks, including palette cleanser reading, are absolutely vital.

Initially, when faced with so many submissions and such a narrow window in which to read and evaluate them, I just powered through. I read over two dozen stories that first day. And I was completely burnt out on the subject of flight by day two. I couldn’t even look at buffalo wings without groaning.

Turns out, I was pushing myself too hard and I wasn’t giving myself enough time to adequately appreciate or digest what I’d just read. I was like a robotic reading machine. That wasn’t great, and it certainly wouldn’t lead to the creation of a book I could be proud of.

So I took a break. I spent an hour reading stories I loved from an old vampire anthology. Then, refreshed and renewed, I went back to reading slush on a much more reasonable schedule. The lesson here is that sometimes pushing yourself too hard can actually be detrimental to your end goal. Make sure you’re taking the time to do things right and respecting yourself in the process.

2: Rejecting your friends frankly sucks, especially if their stories are good.

I knew I’d have to reject stories, which was a rough prospect for me. I know how much rejections can sting sometimes, and inflicting that on someone else was not going to be easy. But I had an obligation to Word Horde and to myself to put out the best possible book, and that meant saying no to a lot of stories. Some of them were great. Well written, engaging, with killer endings… and some of them were even written by people I’m proud to call friends.

The book I was building had to take precedent over everything else.

3: Sometimes the book you intended isn’t the book you end up with.

As an editor, I had to take a lot of different factors into account. Themes, points of view, voices, narrative styles, and so many other things had to be carefully balanced to create a book with nuance; something that would appeal to a wide range of readers. It was a big challenge, but a very important one, I think.

When Ross at Word Horde first approached me, I immediately had a list of authors, if not stories, I wanted to include. Some of them… well, just didn’t happen. Which meant that the book I’d originally envisioned had to evolve and take on a new shape. I couldn’t be happier with the end result, but I wasn’t exactly prepared for the winding path it took to get there.

4: Everything carries a risk, but when you bring gender into it, the risk factor only increases

Fright into Flight was never intended to upset anyone. It wasn’t meant to be a ‘#&%* you!’ to the editors of Fright or Flight, even though the all male table of contents of that book is what inspired it. It was meant as a way for me to put my money where my mouth is, so to speak. To take charge and fix something I saw as broken… but we can’t control the way people will take things, and we can’t change the perceptions of someone who has already passed judgement on something if they aren’t willing to listen.

While the response to the anthology has been overwhelmingly positive overall (including my first ever Publishers Weekly review!) there have been some rather… unpleasant, shall we say? Comments. I’ve been called names and worse over this. And I probably should have expected it, but I didn’t. I saw this endeavor as a good thing. Leave it to the internet to burst bubbles like they were wrapping a lead vase from Amazon.

5: The horror community is amazing.

Maybe this one is cheating, since I already knew that… but putting this anthology together, and the reception it has gotten so far (and it isn’t even out yet!) has been truly incredible. The amount of support, motivation, love, and positivity has made me all the more sure that horror is, and always will be, my home.

Thank you to everyone involved, from contributors to reviewers to people who have preordered the book or shared the news on social media. I couldn’t have done this without you.

I hope you’ll consider preordering Fright into Flight!

This Is Horror and Publishers Weekly rave reviews for The Human Alchemy, PW reviews Guignol & Other Sardonic Tales

Michael Griffin’s new collection The Human Alchemy is out now, and picking up rave reviews, like these from This Is Horror and Publishers Weekly:

The Human Alchemy is a thing of beauty, a showcase for a writer who is in possession of a startling array of skills. Clean yet lyrical prose, a drive to explore what story can do and become, and a real sense of an artist following his muse. Though each piece is distinctive and original, there are obvious links and thematic resonances across the varied narratives; realities that crumble, dreams intruding on waking life, unreliable narrators and memories, cults, esoteric books and artefacts, the search for the numinous, for something beyond cold, solid reality. That he manages all this while still presenting the reader with examinations of characters and lives that are recognisable and realistic, ordinary and—at least initially—grounded, is a testament to his talents.” —This Is Horror

“These works challenge the reader to consider worlds of alternate and potentially transcendent possibilities that impinge upon our own. […] [Griffin’s] stories are fantastical and horrific, and their outcomes are refreshingly unpredictable.” —Publishers Weekly

The Human Alchemy by Michael Griffin

And Orrin Grey’s forthcoming collection Guignol & Other Sardonic Tales has picked up a PW review as well:

“In this career-spanning collection, Grey (Painted Monsters and Other Strange Beasts) assembles 14 peculiar tales of horror into a veritable smorgasbord of horrific thrills and chills. […] This collection is a must-read for hardcore fans of horror…” –Publishers Weekly

Order The Human Alchemy today. Preorders for Guignol & Other Sardonic Tales coming soon!

TOC Reveal – Preorder Amber Fallon’s anthology Fright Into Flight

Coming September 4, 2018: Fright Into Flight

From the earliest depictions of winged goddesses to the delicate, paperwinged fairies of the Victorians, from valiant Valkyries to cliff-dwelling harpies, from record-setting pilots to fearless astronauts, women have long since claimed their place in the skies, among the clouds and beyond.

Word Horde presents Fright Into Flight, the debut anthology from Amber Fallon (The Terminal, The Warblers), in which women take wing. In these stories connected by the unifying thread of flight, authors including Damien Angelica Walters, Christine Morgan, and Nadia Bulkin have spread their wings and created terrifying visions of real life angels, mystical journeys, and the demons that lurk inside us all. Whether you like your horror quiet and chilling or more in-your-face and terrifying, there’s something here for every horror fan to enjoy.

You’re in for a bumpy ride… So fasten your seatbelt, take note of the emergency exits, hold on to your airsick bag, and remember that this book may be used as a flotation device in the event of a crash landing.

Fright Into Flight edited by Amber Fallon

Table of Contents:
Introduction – Amber Fallon
The Floating Girls: A Documentary — Damien Angelica Walters
I Did it for the Art – Izzy Lee
Wilderness – Letitia Trent
The Silk Angel – Christine Morgan
Cargo – Desirina Boskovich
Consent – Nancy Baker
Bruja – Kathryn Ptacek
I am No Longer – Nancy Kilpatrick
Faceless – Shannon Lawrence
Every Angel – Gemma Files
Cosmic Bruja – Leza Cantoral
With the Beating of Their Wings – Martel Sardina
Deathside – Allyson Bird
Thlush-a-lum – Rebecca Gomez Farrell
The Fallen – Pamela Jeffs
And When She Was Bad – Nadia Bulkin

Preorder your copy of Fright Into Flight today. Only from Word Horde.

Fright Into Flight coming this fall, an open call, and Corpsepaint is unleashed upon an unsuspecting world…

This fall, Word Horde will be releasing Fright Into Flight, an anthology of horror stories by women themed around the idea of flight, edited by Amber Fallon. Whether you’re flying the unfriendly skies or safe on the ground, we think you’re going to enjoy this turbulent ride. Here’s a peek at the cover…

From the earliest depictions of winged goddesses to the delicate, paper-winged fairies of the Victorians, from valiant Valkyries to cliff-dwelling harpies, from record-setting pilots to fearless astronauts, women have long since claimed their place in the skies, among the clouds and beyond.

Word Horde presents Fright Into Flight, the debut anthology from Amber Fallon (The Terminal, The Warblers), in which women take wing. In these stories connected by the unifying thread of flight, authors including Damien Angelica Walters, Christine Morgan, and Nadia Bulkin have spread their wings and created terrifying visions of real life angels, mystical journeys, and the demons that lurk inside us all. Whether you like your horror quiet and chilling or more in-your-face and terrifying, there’s something here for every horror fan to enjoy.

You’re in for a bumpy ride..So fasten your seatbelt, take note of the emergency exits, hold on to your airsick bag, and remember that this book may be used as a flotation device in the event of a crash landing.

Amber Fallon has picked a great lineup of stories for Fright Into Flight so far, and we’ll be opening up preorders soon, but for now, we’re looking for a few more stories to fill in the gaps. As Amber says, “I want stories with wings and teeth, I want fear, I want heartbreak, I want depravity and darkness. I want to read things that will make me afraid to look up into the sky. The interpretation of the theme ‘flight’ is really up to you. You can go more traditional and give me stories of airports, airplanes, and demons on the wing or you could stretch it and offer tales of winged harpies, space crafts, flying beasts, angels, demons, or anything in between. The ideal story would be between 2,000 and 5,000 words in length.” If you’re a woman who has the right stuff, reprint or original, please drop Amber a line at amber[at]amberfallon[dot]net. This open call closes Monday, May 14, 2018, so move with the speed of Nike if you want your story to be considered.

We’ve also just released David Peak’s black metal horror novel Corpsepaint onto the world. Here’s just some of the press Corpsepaint has received so far…

“If you live and breathe both black metal and literary horror, this book is a gift.” –CVLT Nation

“An icy hymn to apocalypses both cosmic and personal, David Peak’s novel is as savage and grim as the music of Darkthrone, but also as intricate and otherworldly as that of Emperor. A black metal masterpiece…” –Ginger Nuts of Horror

“I loved Corpsepaint. I love black metal, I love cosmic horror. This book is a match made in heaven (or should that be Hell?!) for me.” –The Grim Reader

“Cosmic-pessimism is Peak’s speciality, and when you combine that with the brutal aggression of a black metal band recording an album with a strange cult act, you know things are going to get pretty weird.” –This Is Horror

Corpsepaint is best read at maximum volume. Ask for Corpsepaint wherever better books are sold, or order direct from Word Horde today.

The Raven’s Table lands today!

The Raven’s Table lands today! Christine Morgan’s collection of Viking-themed stories has been unleashed onto the world. So join us in a toast: Skål!

We do hope you’ll pick up a copy of The Raven’s Table. Here’s just some of the praise it’s received so far.

“These works have the sure, solid feel of a talented author deeply engaged with her source material and genre. They’re an excellent read for those who enjoy myths and legends of all kinds.” —Publishers Weekly (starred review)

“Viking fans, gamers, and lovers of dark fantasy and mythic-style horror will find a lot to enjoy here.” —Fantasy Literature

The Raven’s Table is a must-have for anyone with an interest in stories based on Nordic mythology and lore.” —GreyDogTales

Order The Raven’s Table today!

Obligatory Awards Eligibility Post

As we come to the end of another year, it is traditional to look back through the last 365 days and take stock of one’s accomplishments. In 2016, Word Horde published five books: Furnace, by Livia Llewellyn; The Lure of Devouring Light, by Michael Griffin; The Fisherman, by John Langan; A Brutal Chill in August, by Alan M. Clark, and Eternal Frankenstein, edited by Ross E. Lockhart.

If you read and enjoyed any (or all) of these Word Horde books in 2016, we ask that you consider nominating those books in their respective categories in the Hugos, Locus Awards, Nebulas, Bram Stoker Awards, or similar awards. Likewise, the Novellas, Novelettes, and Short Stories we published this year that are eligible for your awards consideration. Plus, we’ve included a list of Related Works you may have otherwise missed. Thanks for your consideration, it means the world to us!

Best Collection:
Furnace, by Livia Llewellyn
The Lure of Devouring Light, by Michael Griffin

Best Novel:
The Fisherman, by John Langan
A Brutal Chill in August, by Alan M. Clark

Best Anthology:
Eternal Frankenstein, edited by Ross E. Lockhart

Best Novella:
“The New Soviet Man”, by G. D. Falksen (10738 words, Eternal Frankenstein)
“The Black Vein Runs Deep”, by Michael Griffin (38620 words, The Lure of Devouring Light)
“The Human Alchemy”, by Michael Griffin (11043 words, Eternal Frankenstein)
“The Un-Bride; or, No Gods and Marxists”, by Anya Martin (11669 words, Eternal Frankenstein)
“Mary Shelley’s Body”, by David Templeton (27611 words, Eternal Frankenstein)

Best Novelette:
“Wither on the Vine, or Strickfadden’s Monster”, by Nathan Carson (9342 words, Eternal Frankenstein)
“The Jewel in the Eye”, by Michael Griffin (8862 words, The Lure of Devouring Light)

Best Short Story:
“Thermidor”, by Siobhan Carroll (3490 words, Eternal Frankenstein)
“Sewn Into Her Fingers”, by Autumn Christian (5540 words, Eternal Frankenstein)
“Orchids by the Sea”, by Rios de la Luz (1772 words, Eternal Frankenstein)
“The Beautiful Thing We Will Becone”, by Kristi DeMeester (4010 words, Eternal Frankenstein)
“Baron von Werewolf Presents: Frankenstein Against the Phantom Planet”, by Orrin Grey (5874 words, Eternal Frankenstein)
“Dreaming Awake in the Tree of the World”, by Michael Griffin (4248 words, The Lure of Devouring Light)
“The Accident of Survival”, by Michael Griffin (3609 words, The Lure of Devouring Light)
“The Book of Shattered Mornings”, by Michael Griffin (3948 words, The Lure of Devouring Light)
“Living”, by Scott R Jones (2759 words, Eternal Frankenstein)
“In the Court of King Cupressaceae, 1982”, by Livia Llewellyn (6256 words, Furnace)
“Frankenstein Triptych”, by Edward Morris (3180 words, Eternal Frankenstein)
“Postpartum”, by Betty Rocksteady (6649 words, Eternal Frankenstein)
“Torso Heart Head”, by Amber-Rose Reed (1312 words, Eternal Frankenstein)
“They Call Me Monster”, by Tiffany Scandal (3233 words, Eternal Frankenstein)
“Sugar and Spice and Everything Nice”, by Damien Angelica Walters (4900 words, Eternal Frankenstein)

Best Publisher:
Word Horde

Best Editor, Short Form:
Ross E. Lockhart

Best Editor, Long Form:
Ross E. Lockhart

Best Original Cover Art:
A Brutal Chill in August, Alan M. Clark
Eternal Frankenstein, Matthew Revert

Best Related Work:
Word Horde Presents John Langan, interview by Sean M. Thompson
“The Soul of You” Music Video, (“The Soul of You” as sung by the Bonehill Ghost in the novel A Brutal Chill in August by Alan M. Clark. Song produced by Matt Hayward. Lyrics by Alan m. Clark. Music by Michael Green. Vocals by Gerard Smith. Piano by Anna Muhlbach.)
Facebook Live: Eternal Frankenstein Launch Party at Copperfield’s Books
Live-Blogging Jack London’s The People of the Abyss, Alan M. Clark

 

REVIEWERS: If you missed any of these books, drop us a line and we’ll be happy to send you an electronic reading copy for consideration. publicity[at]wordhorde[dot]com.

Cover Reveal: The Lure of Devouring Light

We are pleased to reveal the cover to Michael Griffin‘s The Lure of Devouring Light, which Word Horde will be publishing in April. This cover features artwork by Jarek Kubicki and design by Scott R Jones, and if you like what you see on the outside, just wait until you have a chance to dig in to the inside. Preorders are now open.

LoDL_frontcover_004

Over the last few years, Michael Griffin has been heralded by critics as an author of breathtaking skill, melding the aesthetics of quiet horror, dreamlike wonder, and the strangeness inherent in the classical weird. Readers have sought his stories, scattered throughout prestigious anthologies, magazines, and limited-edition chapbooks, hoping to assemble their own collections of Griffin’s ferocious, poetic fiction.

Now, Word Horde presents Michael Griffin’s debut collection, The Lure of Devouring Light. Here you will find strange and luminous tales, character-driven, emotionally resonant, and grappling with horrors both everyday and supernatural.

Experience for yourself The Lure of Devouring Light.

An Interview with Livia Llewellyn

Livia Llewellyn‘s brand-new collection, Furnace, drops this week, and we couldn’t be more excited. The first review of the book hit over at The Conqueror Weird last Thursday. Spoiler alert: It’s a rave one! So we figured we’d bring you something special this week to celebrate. Here’s an exclusive interview with Livia, conducted by our own Sean M. Thompson…

What do you feel the role of genre is in fiction?

I honestly don’t know. It’s really just a device the writer uses to help tell the story. I know, I know, it’s a marketing device used by the publishing and bookselling industries to target customers and create more sales, but it’s also a reflection of the writer. Beyond that, I couldn’t say – it’s not something I think about, because I honestly don’t care.

When you’re putting together a collection, do you view it as like an album, or do you have another analog?

I do see it very much as like putting together an album. Each piece of fiction or song is a story unto itself, but the entire collection or album is also a story, an emotional narrative that you want the listener or reader to experience. You want them to come away thinking that they went through something, that it was a journey with a beginning and an ending, not just a random jumble of art. So your first piece has to be saying something very specific, it has to invite them in, give them a taste of what’s to come but not send them off in the wrong direction altogether; and then as you go through the collection, you put stories together that maybe have similar themes or settings, you have an interlude or two where your reader can catch their breath with a piece that isn’t quite the same as the rest, and then you have a final stretch of your most intense work, ending with the story that you hope (I hope, anyway) encapsulates all of the themes of the entire work and leaves the reader in an emotional place that hopefully isn’t the same as where they were at the beginning. The best albums have that ability to guide listeners through that kind of an artistic and emotional journey, and so do the best collections and anthologies. I can only hope that Furnace can do the same. Time will tell.

Furnace by Livia Llewellyn

Do you have cats that tend to hover around you while you try to write? (asking, uh, for a friend, (get out of here kitty-))

I can’t afford a cat on my salary, but if I ever do get to the point where I can have an animal in my life, it’ll be a dog.

You seem to be pretty up front about the fact you don’t consider yourself a weird fiction writer. Do you think the label of being “weird” is kind of like tacking on that a horror film is a “thriller” when it starts to do well, or do you genuinely think the weird is its own thing?

I think weird fiction is genuinely its own thing – I just don’t think that I write enough of it to be called a weird fiction writer, anymore than I should be called a Lovecraftian writer. My writing branches off into so many areas that I think “dark fiction writer” is a better umbrella for me to stand under.

Your last collection was Engines of Desire, and your new one is Furnace. What is about imagery with machinery that you find yourself drawn to, or does it just make for a cool-sounding story collection?

It didn’t occur to me until this question that I have two collections with machinery in their titles. That’s interesting – I have no idea what it means. Since I was very young, I’ve found engines and machinery fascinating and alien and exciting, but I think I’d need a psychiatrist to tell me why. I don’t really need to know why. Maybe in twenty years I’ll look back at my body of work and the light bulb will go on, but until then, I’m happy to work it out in my writing.

High-Res-EoD-Cover

Do you have a set amount of time you usually can write for before you have to take a break?

I can write for maybe ninety minutes before my mind starts to wander. But in my defense, I’m usually writing in the evening, after an 8-10 hour work day, so I’m already tired and a bit frazzled to start with – ninety minutes on weekdays is my limit because I need at least part of the evening to wind down by reading or working out or just listening to music and staring into space. On weekends, I write maybe three hours at a stretch, and then I have to walk away from the computer screen to recharge my batteries.

Coffee, tea, or the lightning juice?

When I’m writing, I prefer either coffee or tea, depending on the time of day. I really don’t like to drink when I’m writing – alcohol makes me lose my concentration, so I save that for after I’ve finished for the day.

Would you ever write a science fiction novel, fantasy novel, anything like that? Or do you just start a story, and whatever it is, it is?

Do you mean story? I’ve never even managed to finish writing a horror novel, let alone a novel in any other genre – but as for stories, I do tend to just start writing and not worry about what genre it is. I have no interest in writing SF or Game of Thrones-style fantasy, though. It’s just not my thing. I suppose if I ever did, the science fiction would look a lot like Alien or Event Horizon, and the fantasy would look like… Alien vs. Conan, which is not a real movie but absolutely should be.

My cousins live in Long Island. (Oh shit, wait, that wasn’t a question.)

You’re still in NYC, how’s that going? Has anyone at Starbucks really f-ed up your name again?

I’m not a big fan of the big city – I’d really prefer to be in a smaller city somewhere near mountains – the cultural experiences here are amazing, but the housing situation is something of a nightmare (for anyone who’s not quite wealthy, that is), which makes it a constantly depressing and demoralizing situation for me. But the job is here, and my friends are all here, so until I can retire, I cope as best I can. And, I’ve largely stopped going to Starbucks for coffee. I did enjoy the very creative misspellings of my name (Libba, Navan, Lil’diq), but the coffee is way overpriced, and more and more the baristas were getting my orders wrong and then treating me like shit when I complained. We get free lattes and cappuccinos at work, so I just make my own coffee and misspell my own name nowadays. Hello, Liveria!

Your prose hits like a lead pipe to the teeth. Do you ever write anything, and go “oh, whoa, I should probably tone this down a bit.”?

Yes, I’ve thought that a couple of times. Whenever I have that reaction, it’s not because I think I’ve gone over the line, but because I think I’ve gone over the line for the intended market. I do have to take into consideration the anthology or magazine, and what kind of audience the editor is targeting with my and the other contributors’ stories. A number of stories in Furnace are quite sexually explicit or graphic in their depictions of the female body, and I thought perhaps they might be rejected. Amazingly, they weren’t. The editors probably knew readers would just skip over my story, so it didn’t matter that they weren’t appropriate – most people pick up anthologies for the much bigger names! But if asked, I would certainly work with the editor to change the story, if I felt some of the content wasn’t the right fit for the market and if I felt I could make the changes without turning the story into something I wasn’t happy with. I’ve had to completely tear apart stories before, and it’s always a bit painful, but the end results have so far resulted in much better stories.

Thanks for taking part in the interview. Please, tell our fine readers what they have to look forward to from you, in this, the dawning of the age of Word Hordius.

I have a number of short stories that will be coming out later this year and in 2017. I’m also in the middle of putting together a collection of extremely fantastical and dark erotic stories over on Patreon, called Tales of the Dark Century – that should be finished this year, but I honestly don’t know if I’ll find a publisher for it, as it’s definitely not the kind of erotica that currently popular. Maybe Chuck Tingle can give me some self-publishing tips…

Livia Llewellyn’s Furnace cover reveal, preorders now open on two 2016 Word Horde books

We are pleased to reveal the cover to Livia Llewellyn’s collection Furnace, which we will be publishing in February. We are now accepting preorders for Furnace.

Furnace by Livia Llewellyn

Horror fiction has long celebrated and explored the twin engines driving human existence. Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then there’s Livia Llewellyn, an author praised for her dark, stirring, evocative prose and disturbing, personal narratives.

Lush, layered, multifaceted, and elegant, the thirteen tales comprising Furnace showcase why Livia Llewellyn has been lauded by scholars and fans of weird fiction alike, and why she has been nominated multiple times for the Shirley Jackson Award and included in year’s best anthologies. These are exquisite stories, of beauty and cruelty, of pleasure and pain, of hunger, and of sharp teeth sinking into tender flesh.

Also now available for preorder (though the cover isn’t quite ready to show off yet) is Michael Griffin’s The Lure of Devouring Light, which we will be publishing in April. If you love short fiction like we love short fiction, 2016 is going to be your year!

Over the last few years, Michael Griffin has been heralded by critics as an author of breathtaking skill, melding the aesthetics of quiet horror, dreamlike wonder, and the strangeness inherent in the classical weird. Readers have sought his stories, scattered throughout prestigious anthologies, magazines, and limited-edition chapbooks, hoping to assemble their own collections of Griffin’s ferocious, poetic fiction.

Now, Word Horde presents Michael Griffin’s debut collection, The Lure of Devouring Light. Here you will find strange and luminous tales, character-driven, emotionally resonant, and grappling with horrors both everyday and supernatural.

Experience for yourself The Lure of Devouring Light.

Cover Reveal: Painted Monsters & Other Strange Beasts

Coming next month from Word Horde, Orrin Grey’s new collection Painted Monsters & Other Strange Beasts. Here’s your first peek at the cover!

Painted Monsters & Other Strange Beasts

ORRIN GREY LOVES MONSTERS. That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.

If you love monsters—the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic; the cinematic and the literary—you will find plenty to love in Orrin Grey’s Painted Monsters & Other Strange Beasts.

Cover Art by Nick Gucker
Cover Design by Scott R. Jones

Table of Contents:

Introduction by John Langan
The Worm That Gnaws
The White Prince
Night’s Foul Bird
The Murders on Morgue Street*
Ripperology
Walpurgisnacht
The Red Church
Remains
The Labyrinth of Sleep
Lovecrafting
Persistence of Vision
Strange Beast*
Painted Monsters*

* Titles marked with an asterisk are original to the collection.

Pre-order Painted Monsters & Other Strange Beasts today!