The catch? To win, you have to post a video of you singing “The Soul of You,” the Bonehill Ghost’s song from A Brutal Chill in August, and tag Word Horde in your post. A link to the original music video is below. Contest ends November 9, 2017.

We’re looking forward to hearing you sing. And to giving you cool books.

An anthology of original strange stories at the intersection of crime, terror, and supernatural fiction. Inspired by and drawing from the highly stylized cinematic thrillers of Argento, Bava, and Fulci; American noir and crime fiction; and the grim fantasies of Edgar Allan Poe, Guy de Maupassant, and Jean Ray, Giallo Fantastique seeks to unnerve readers through virtuoso storytelling and startlingly colorful imagery.

Table of Contents:

Introduction – Ross E. Lockhart
Minerva – Michael Kazepis
In the Flat Light – Adam Cesare
Terror in the House of Broken Belles – Nikki Guerlain
The Strange Vice of ZLA-313 – MP Johnson
Sensoria – Anya Martin
The Red Church – Orrin Grey
Balch Creek – Cameron Pierce
Hello, Handsome – Garrett Cook (audio at the link!)
We Can Only Become Monsters – Ennis Drake
The Threshold of Waking Light – E. Catherine Tobler
The Communion of Saints – John Langan
Exit Strategies – Brian Keene

“Lockhart translates giallo fantastique as weird crime, and each story, while very different in style and tone, melds crime and supernatural horror with panache and verve. […] The stories’ conclusions are never definitive, leaving the reader with a delicious sense of lingering unease.” —Publishers Weekly

“A lavish, sumptuous tapestry of luxurious surrealism and strangeness.” –Christine Morgan, The Horror Fiction Review

“…ultimately satisfying, with a few tales that skirt tantalizingly close to brilliance.” –Mer Whinery, Muzzleland Press

What do you think the role of genre is in fiction?

I’m not certain what true purpose genre has beyond acting as a guideline for the reader, maybe–though the more I read, the less I’m convinced of “genre,” as bits of one tend to end up in another, and work out perfectly fine. As a writer, the same is true for me; why not use whatever you like in whatever “genre” they think you’re writing?

Your story from Tales of Jack the Ripper, what was the genesis of it?

“Once, November,” came pretty easy, because I wanted to take a route I didn’t think anyone else would. I suspected authors would write about the Ripper–and rightly so–but I wanted to explore his victims–who they were even after their violent deaths; I hope I’ve done them justice in some small way.

Do you find that you work quickly, slowly, or a little of both?

It depends entirely on what I’m working on; writers are surely some of the finest procrastinators on the planet. A good work ethic is important to me–maybe it’s doubly important when you’re your own boss. No one is looking over your shoulder, so if you don’t get the work done, the work doesn’t get done. And I can’t stand that. So we get it done–usually ahead of schedule.

What’s the scariest thing you’ve ever read?

Lately, the daily news. In terms of fiction, I think my answer will change depending on when I’m asked. Presently, I’d say “The Yellow Wallpaper,” by Charlotte Perkins Gilman and The Handmaid’s Tale, by Margaret Atwood. Both contain a horror that is timeless–and possibly not much different from the daily news these days…

What’s the longest you’ve ever edited a piece for?

Sometimes, stories don’t come so easily. I had an idea for one that actually took me eleven years to get right–so that’s probably the longest. It wasn’t that I actively edited or pursued it during those years, however. I wrote the draft, and knew it wasn’t right, but the idea of it still wouldn’t leave me alone. So every now and then we’d talk over coffee and see if we learned anything new about each other. Eventually, we came to terms and it sold to a pro market.

What did you enjoy about working with Ross as an editor?

I’ve worked with Ross on two projects now, Tales of Jack the Ripper, and Giallo Fantastique. Both times he was very welcoming and open to whatever this writer wanted to do. Also, his beer reviews and hair are complete perks.

Got anything to plug?

The Honey Mummy, the third book in the Folley & Mallory Adventures, is out now, with the fourth volume out this coming fall. My circus novel, The Kraken Sea, is out this June from Apex Book Company. Short fiction is soon to appear again in both Interzone and Clarkesworld.

What’s your favorite shade of Yellow?

Table of Contents

Introduction – Ross E. Lockhart
Minerva – Michael Kazepis
In the Flat Light – Adam Cesare
Terror in the House of Broken Belles – Nikki Guerlain
The Strange Vice of ZLA-313 – MP Johnson
Sensoria – Anya Martin
The Red Church – Orrin Grey
Balch Creek – Cameron Pierce
Hello, Handsome – Garrett Cook
We Can Only Become Monsters – Ennis Drake
The Threshold of Waking Light – E. Catherine Tobler
The Communion of Saints – John Langan
Exit Strategies – Brian Keene

“Lockhart translates giallo fantastique as weird crime, and each story, while very different in style and tone, melds crime and supernatural horror with panache and verve. […] The stories’ conclusions are never definitive, leaving the reader with a delicious sense of lingering unease.” —Publishers Weekly

“A lavish, sumptuous tapestry of luxurious surrealism and strangeness.” –Christine Morgan, The Horror Fiction Review

“…ultimately satisfying, with a few tales that skirt tantalizingly close to brilliance.” –Mer Whinery, Muzzleland Press

Order from Word Horde or wherever better books are sold.

An anthology of original strange stories at the intersection of crime, terror, and supernatural fiction. Inspired by and drawing from the highly stylized cinematic thrillers of Argento, Bava, and Fulci; American noir and crime fiction; and the grim fantasies of Edgar Allan Poe, Guy de Maupassant, and Jean Ray, Giallo Fantastique seeks to unnerve readers through virtuoso storytelling and startlingly colorful imagery.

What’s your favorite shade of yellow?

Table of Contents

Introduction • Ross E. Lockhart
Minerva • Michael Kazepis
In the Flat Light • Adam Cesare
Terror in the House of Broken Belles • Nikki Guerlain
The Strange Vice of ZLA-313 • MP Johnson
Sensoria • Anya Martin
The Red Church • Orrin Grey
Balch Creek • Cameron Pierce
Hello, Handsome • Garrett Cook
We Can Only Become Monsters • Ennis Drake
The Threshold of Waking Light • E. Catherine Tobler
The Communion of Saints • John Langan
Exit Strategies • Brian Keene

Cover art by David Palumbo
Cover design by Scott R. Jones

Coming May 15, 2015
ISBN: 978-1-939905-06-2
Preorder now at Word Horde

The anthology Tales of Jack the Ripper was published August 31, 2013, and is comprised of seventeen stories, two poems, and an introduction. Of those seventeen stories, three are reprints, as are the two poems, and fourteen stories are original to the anthology. Tales of Jack the Ripper is a professional market, paying .05/word for original stories and .02/word for reprints. The anthology as a whole should be eligible for consideration in most industry awards’ Anthology categories. The book is 75,859 words total; 60,134 original [79.27%]; 15,723 reprint [20.72%].

The following original stories should be eligible for consideration in most Novelette/Novella/Mid-Length Fiction categories:
Barron, Laird: “Termination Dust” 10101 words
Kurtz, Ed: “Hell Broke Loose” 9796 words
Sargent, Stanley C.: “When the Means Just Defy the End” 12226 words

The following original stories should be eligible for consideration in most Short Fiction categories:
Drake, Ennis: “The Butcher, The Baker, The Candlestick Maker” 4300 words
Grau, T.E.: “The Truffle Pig” 2840 words
Greatshell, Walter: “Ripping” 2302 words
Grey, Orrin: “Ripperology” 2800 words
Moreno-Garcia, Silvia: “Abandon All Flesh” 2200 words
Morris, Edward: “Where Have You Been All My Life?” 1900 words
Pulver, Joseph S.: “Juliette’s New Toy” 861 words
Rawlik, Pete: “Villains by Necessity” 2149 words
Tobler, E. Catherine: “Once November” 2400 words
Tumblety, Patrick: “Something About Dr. Tumblety” 4114 words
Yardley, Mercedes M.: “A Pretty for Polly” 1600 words

Editor Ross E. Lockhart is eligible to be nominated as Best Editor (Short Form) for Tales of Jack the Ripper, and as Best Editor (Long Form) for works published in 2013 (all of which are also worthy of your consideration), including Blind Gods Bluff, by Richard Lee Byers; Earth Thirst, by Mark Teppo; No Return, by Zachary Jernigan; Binding, by Carol Wolf; The Beautiful Thing that Awaits Us All, by Laird Barron, The Daedalus Incident, by Michael J. Martinez, and Reanimators, by Pete Rawlik.

Publisher Word Horde is eligible to be nominated (where applicable) as Best Publisher.

On behalf of Word Horde and the authors included in Tales of Jack the Ripper, thank you for your consideration and support during this year’s oh-so-competitive awards season.

Sincerely,

Ross E. Lockhart
Word Horde

FEARnet.com‘s Blu Gilliand begins his review by asking the question, “is it okay to base a piece of entertainment on a real-life serial killer?” To find an answer, Blu takes an in-depth look at the anthology’s stories by Orrin Grey, Alan M. Clark & Gary A. Braunbeck, Joe R. Lansdale, Patrick Tumblety, and Walter Greatshell, then concludes, “What Lockhart has done with this anthology is to show that the Jack the Ripper story has grown far beyond who- or whatever murdered those women all those years ago. It’s become a myth, grounded in fact, and the reason it continues to hold power over us today is because we still don’t understand what happened, or why, and we likely never will. Stories like that are the stories that continue to frighten us, and until we can banish those shadows forever, there will always be writers wrestling with them on the printed page. Tales of Jack the Ripper manages to walk that fine line between entertainment and exploitation with real finesse. It’s a gripping group of stories about one of our most enduring mysteries, and well worth your time.” Read the full review at FEARnet.com.

At first concerned that he may not know enough about Jack to fully appreciate the anthology, SR Jones of Martian Migraine Press examines closely the tales by Ennis Drake, Pete Rawlik, Stanley C. Sargent, Ramsey Campbell, T.E. Grau, Silvia Moreno-Garcia, Laird Barron, E. Catherine Tobler, Joe R. Lansdale, and Joseph S. Pulver, Sr. Admittedly thrown off by some of the anthology’s more experimental pieces, Jones awards Jack a five-star review, saying, “Editor Ross Lockhart (Book of Cthulhu and Book of Cthulhu 2, Chick Bassist) has done a stand-out job with Tales of Jack the Ripper. This one’s going out to certain names on my Christmas list, that’s for sure. You know the ones. With their ‘funny little games’. Recommended.” Read the full review at Martian Migraine Press.

Shock Totem‘s Mason Ian Bundschuh writes “There is a definite ‘weird tale’ edge to many of the stories (and poems) in the anthology, which in this reader’s opinion is a GREAT thing. It might even be expected from Lockhart, who also brought you The Book of Cthulhu and its follow-up, The Book of Cthulhu 2. This doesn’t mean you can pigeonhole Tales of Jack the Ripper.” Bundschuh singles out stories by Silvia Moreno-Garcia, Ramsey Campbell, and Mercedes M. Yardley for their chilling excellence, concluding, “you need to get up off your lazy duff and buy this collection.” Read the full review at Shock Totem.

The Arkham Digest‘s Justin Steele ponders our societal fascination with serial killers and the Ripper’s legacy, finding insight in Orrin Grey’s tale “Ripperology.” Other stories considered and ruminated upon under Steele’s eye include those by Ramsey Campbell, Alan M. Clark & Gary A. Braunbeck, Joe R. Lansdale, Silvia Moreno-Garcia, Ennis Drake, T.E. Grau, Ed Kurtz, Edward Morris, Joseph S. Pulver, Sr., Pete Rawlik, Stanley C. Sargent, Mercedes M. Yardley, and Laird Barron. Steele concludes, “Tales of Jack the Ripper marks a strong debut for Word Horde. Lockhart, in usual fashion, has managed to put together a strong, multifaceted anthology that explores the Ripper legend at length. If this book is indicative of what’s to be expected from his new press, than readers have much to look forward to.” Read the full review at The Arkham Digest.

The Arkham Digest have also just featured Steele’s interview with Tales of Jack the Ripper editor and Word Horde publisher/editor-in-chief Ross E. Lockhart. This interview includes not only insights into Lockhart’s aesthetic and goals in putting together Tales of Jack the Ripper, but a behind-the-scenes glimpse at Word Horde’s origins and future. Check out the full interview at The Arkham Digest.

This post is brought to you by Tales of Jack the Ripper, an anthology of seventeen stories and two poems examining the bloody legacy of the most famous serial murderer of all time. Ask for Tales of Jack the Ripper by name at a bookseller near you, or order the Saucy Jack Deluxe Pack from Word Horde.